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Austin Powers: Burt Bacharach's Cameos Explained

Writer Michael Hansen

Burt Bacharach didn't just make cameo appearances in all three Austin Powers movies; he also influenced Mike Myers' creation of the franchise.

Austin introduces Burt Bacharach in Austin Powers The Spy Who Shagged Me

Burt Bacharach made unforgettable cameo appearances in the Austin Powers movies. Bacharach is one of the most renowned and influential figures in 20th-century pop music. A pioneer of the “easy listening” subgenre, Bacharach received an impressive number of awards, including six Grammys, three Oscars, and an Emmy. Rolling Stone magazine ranked Bacharach alongside his frequent collaborator Hal David as one of the greatest songwriters of all time. From “This Guy’s in Love with You,” “Raindrops Keep Fallin’ on My Head” to “That’s What Friends Are For,” Bacharach wrote dozens of Top 40 hits throughout his prolific career.

Since Bacharach sadly passed away at the age of 94 on February 8, 2023, his fans have been reflecting on his decades-long tenure as one of the most popular and acclaimed musicians in history. In addition to his iconic recording career, Bacharach gave a few memorable performances in film and TV projects. He performed in a couple of Marlene Dietrich concert films and made a guest appearance as himself in Nip/Tuck season 4, episode 8, “Conor McNamara.” Bacharach also played himself alongside Mike Myers in three of his best movies: the Austin Powers films.

Burt Bacharach's Austin Powers Cameo Made Him Popular With New Generations

Burt Bacharach plays piano in Austin Powers International Man of Mystery

Bacharach first appeared in Austin Powers: International Man of Mystery, playing piano on the top deck of a double-decker bus driving down the Las Vegas Strip. Myers has said (via Biography), “It was amazing working with Burt,” and added that Bacharach was the inspiration for his conception of Austin Powers: “His song ‘The Look of Love’ was the inspiration for this film. It was like having Gershwin appear in your movie.” Hearing “The Look of Love” on the radio inspired Myers to think about the ‘60s swinging culture, which led to the creation of the Austin Powers franchise.

The Austin Powers cameo arrived as a surprise for Bacharach (via Page Six): “I never saw it coming. Mike and [director] Jay [Roach] had me over and said, ‘We’re bringing you to Las Vegas and you’ll stay one night and we’ll do this one thing.’ And lo and behold, Austin Powers became a huge hit.” Bacharach was brought back for further cameo appearances in each of the two sequels. These cameos in the wildly successful Austin Powers movies introduced Bacharach’s music to a new generation of young listeners. Austin introduced him directly to the audience – “Ladies and gentlemen... Mr. Burt Bacharach!” – so new fans could track down his work.

Bacharach Added Heart To The Austin Powers Franchise

Burt Bacharach plays piano in Austin Powers The Spy Who Shagged Me

Bacharach popped up during some of the Austin Powers franchise’s most surprisingly sweet moments. In the first movie, when he plays piano on a bus ride through Vegas, Austin is showing his love interest, Vanessa Kensington, how to let her hair down and have a good time. In the second movie, The Spy Who Shagged Me, Bacharach appears alongside regular collaborator Elvis Costello when Austin is trying to show Felicity Shagwell how much fun the ‘60s can be. In the end credits of the threequel Goldmember, Bacharach reprises the song “What the World Needs Now is Love,” tying in with the newfound brotherly love between Austin and Dr. Evil.

For the most part, the Austin Powers movies are comprised of witty one-liners, crude double entendres, and funny James Bond references and tropes. But the movies also found plenty of time for heartwarming moments – whether Austin was wooing a new romantic interest or embracing the love of the diabolical arch-nemesis who turned out to be his long-lost brother – and a cameo appearance by Bacharach always telegraphed those heartwarming moments. It was appropriate to end the trilogy on a Burt Bacharach song because his music set the mood for the whole franchise.

Source: Rolling Stone, Biography, Page Six

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